While common-tone modulation shares 1 or 2 notes with the new key, common-chord modulation shares all 3 notes. In the example below, the common tone between the keys of F major and A major is A.Ĭommon-chord modulation is very similar to common-tone modulation. They are A major, C major, F minor, F# minor, Ab major, Bb major, Bb minor, C minor, C major, D major and D minor. In the examples below, an F chord (F, A, C) would have a total of 12 potential keys to which it could modulate. However, it is the V7 of the new key (E major).Ĭommon-tone modulation uses a pitch from the old key as a bridge between it and the new key. As you can see below, B7 is not a part of the key of A major. Here is an example that shows the use of a pivot chord that is not shared by both keys. 1).Īs you can see, the music starts in the key of C major and modulates to D major via an Em chord. Here’s an example of what I’m talking about (Ex. Sometimes the pivot chord is shared by both the old and the new key. Pivot modulation is very common and is done by moving into a new key via a “pivot” chord from the new key. In this post, I’m going to show you 5 of the most common ways to modulate and how you can use them when writing and arranging your music. It can be done a number of different ways. ![]() In music, modulation is the process of changing from one key to another. One of the most common tools you can use is called modulation. The good news is that there are many ways to freshen up that old and tired song or really any song for that matter. Unfortunately, it’s an arrangement you’ve done many times and it’s no longer exciting to you or anyone else. You’re honored to be asked and you immediately think of that favorite song of yours that would work perfectly. ![]() Have you been there before? Someone asks you to perform a song at an upcoming special event.
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